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Canoeing Through the Everglades

3/19/2025

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The Everglades hummed with a symphony of life. At first light, the marsh began to stir. A solitary heron, cloaked in pale gray, let loose a resonant "kraank" that echoed through the haze. Its cry was an announcement, a ripple in the tapestry of morning, woven with the buzz of insects waking in their hidden enclaves.

Down beneath the sawgrass, the frogs added their voices to the ensemble. Their croaks were as unpredictable as the pulse of the wetlands, rising and falling in erratic bursts. Each note seemed to leapfrog the other, a challenge issued and accepted.

By midday, the world grew louder. The gators, submerged just beneath the surface, let out deep, thunderous bellows that reverberated through the water. It was a sound that belonged to the Earth itself, primal and ancient. Above them, the skies buzzed with the constant drone of dragonflies, their wings slicing through the humid air with surgical precision.

Then came the mosquitos, their whine high-pitched and insistent, as if demanding attention. A canoeist drifted silently through the waterways, swatting at the pests but pausing, entranced by the sheer complexity of the cacophony around her. She dipped her paddle, and the gentle "plunk" was absorbed by the marsh's melody.

Evening softened the edges. The world turned golden, and the cicadas began their hypnotic chant. Their voices layered upon each other like an intricate weave of sound. An owl let out a haunting "hoo-hoo," punctuating the air and silencing the smaller creatures for a fleeting moment, as if all respected its nocturnal authority.

It was in the quiet hours of the night that the Everglades revealed its secrets. A panther moved soundlessly through the underbrush, betrayed only by the faint rustle of leaves in its path. The water lapped against the mangrove roots in soothing, rhythmic whispers. Above, a lonely whippoorwill called into the void, its voice both mournful and beautiful, like the marsh itself.

The Everglades sang for those who chose to listen. It was not a melody you could hum or a tune to recall later. It was an experience, alive and fleeting, an immersion into the pulse of a world untouched, yet ever-changing. The canoeist closed her eyes, letting the sounds wash over her, each one a thread in a vast, ancient quilt.

​And for that moment, she was part of the song.
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“Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.”
― Eudora Welty

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