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The cobalt mines hum with industry. Deep within the earth, the rhythmic clank of pickaxes reverberates, accompanied by the mechanical churn of loaders and drills. The air vibrates with sounds that range from sharp metallic clashing to deep rumbling groans, as though the planet itself protests the extraction of its precious veins. Aboveground, conveyor belts drone with relentless monotony, carrying the mined cobalt towards processing plants. The symphony of cobalt mining is not a harmony—it’s a cacophony, underscoring the violence of progress.
In mining regions, the human layer of sound paints another picture. The coughing of workers echoes in the mines, a product of inhaling cobalt dust. Shouts to coordinate heavy machinery compete with the whining of engines. Periodic explosions, necessary to break apart stubborn rock, send shockwaves that travel far beyond the mines. These bursts are punctuated by silence, brief but deafening, as workers brace for the next detonation. And yet, it is the absence of certain sounds—the laughter of children, the rustling of untouched wilderness—that tells a deeper story of loss. The dangers of cobalt mining stretch far beyond the immediate peril of collapsing mines or equipment failures. The extraction process generates toxic dust that infiltrates lungs, causing fatal respiratory diseases among miners who often work without proper protective gear. Cobalt’s chemical nature poses environmental risks as well: waste from mining contaminates rivers and soil, poisoning ecosystems and robbing local communities of clean water and fertile land. These dangers amplify in small-scale mining operations, often in developing nations, where laborers, including children, toil under conditions that strip them of their health, dignity, and future. Technology, paradoxically, both depends on and erases these echoes of suffering. The cobalt mined amidst such peril powers the batteries of smartphones, laptops, and electric vehicles—devices hailed as the cornerstones of modern convenience and sustainability. Yet, as the world rushes forward in its quest for innovation, it often turns a blind eye to the human and environmental costs of its progress. What is lost? The answer lies in the intangible. There is the loss of innocence—a world where children should play and dream but instead endure the hardship of mining to help their families survive. There is the loss of biodiversity, as mining scars landscapes and obliterates habitats. There is the loss of authenticity, as voices advocating for sustainable practices are drowned out by the ceaseless demands of technological advancement. But most profoundly, there is the loss of humanity. In our pursuit of faster devices, smarter cars, and greener energy, we often fail to acknowledge the people whose lives are diminished in service of these goals. The sounds of cobalt mining remind us of a question we must grapple with: Can progress truly be called progress if it comes at such a cost? The noises of cobalt mining are echoes of a world caught between its aspirations and its realities. As the hums, clanks, and coughs continue, so too does the need to reconcile what we gain with what we lose. Progress, after all, is hollow if it silences the voices that call for justice and balance.
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The tea in the porcelain cup had gone cold long before the clock struck midnight. Elena sat in the dim light of her kitchen, her hands cradling the silent phone as though her touch might summon it to life. Outside, the frost-covered streets of Kyiv stretched quiet and still, but her mind was anything but peaceful. She replayed every text, every call, every precious fragment of communication she’d shared with her son, Dmytro, since he'd joined the frontlines in Ukraine’s fight for freedom.
The war had demanded more than she thought she had to give. Each day since Dmytro left, the ordinary sounds of life carried a heavier weight—the whistle of the kettle, the shuffle of her neighbor’s footsteps, the distant rumble of military vehicles. Tonight, even the ticking of the wall clock sounded accusatory, as though time itself mocked her waiting. Elena stared at her kitchen table. Beside her sat an unopened jar of pickled vegetables—Dmytro’s favorite, prepared the day before he left. She couldn't bring herself to eat them, but she refused to let them spoil. Perhaps it was her way of defying the uncertainty that war had brought into her world. "If the pickles last," she reasoned, "then surely so will he." Her thoughts strayed to the last phone call. Dmytro’s voice, firm and steady, belied the chaos she knew surrounded him. "I’m okay, Mama," he’d said. "Don’t worry so much." But how could she not? She could hear the roar of artillery in the background and wondered how anyone could remain "okay" amid that. Now, the silence felt unbearable. Each minute stretched longer than the one before. She thought about the other mothers she’d met at the church prayer group. They, too, waited by their phones, holding onto hope like a lifeline. Some of them had received the news no mother wants to hear—news Elena couldn't bring herself to imagine. The phone buzzed suddenly, its vibration jolting her out of her thoughts. Her heart raced as she fumbled to unlock it, praying for her son’s name to appear. When it did, relief rushed over her in a wave so profound it left her breathless. "Hi, Mama," the text read. "I’m safe. Don’t worry. I'll call when I can." Tears blurred her vision, but she smiled through them. Her fingers trembled as she typed back: "Stay strong, my boy. I’m so proud of you. I love you." She hit send and leaned back in her chair, exhaling a shaky breath. The war had not ended. Her son was still out there, facing dangers she could barely fathom. But for now, Elena had the only word she needed: "safe." It was enough to carry her through the night, enough to keep the jar of pickles waiting on the kitchen shelf. Enough to remind her that, though the world seemed fragile, hope could still endure. The night at the camp was a patchwork of sounds, stitched together by the lives of those waiting, hoping. The wind carried whispers of the desert, brushing against the makeshift tents and tarps, their flapping a soft percussion in the stillness. Somewhere, a child cried—a sharp, piercing note that cut through the air before fading into the murmured reassurances of a mother’s voice.
Footsteps crunched on gravel as a guard made his rounds, the rhythm steady, almost hypnotic. Occasionally, the static crackle of a radio interrupted the quiet, a voice on the other end speaking in clipped, official tones. The language was foreign to many in the camp, but the tone was unmistakable—authority, vigilance. Closer to the center of the camp, a group of men huddled around a small fire. Their voices rose and fell in conversation, a mix of Spanish, indigenous dialects, and the occasional English word. Laughter erupted now and then, brief and bright, like sparks from the fire. It was a defiance of sorts, a reminder that even in uncertainty, humanity persisted. In the distance, the howl of a coyote echoed, a haunting melody that seemed to harmonize with the distant hum of trucks on the highway. The border wall loomed nearby, its presence felt even in the dark. The metal structure groaned and creaked as the wind pushed against it, a sound both eerie and mechanical. Inside one of the tents, a woman sang softly to her baby, the melody a lullaby passed down through generations. Her voice was low, almost a hum, blending with the rustle of fabric as she rocked the child. It was a sound of comfort, of resilience. As the night deepened, the camp grew quieter. The occasional cough or shuffle of movement punctuated the silence, but even these sounds seemed to fade into the background. The desert itself seemed to hold its breath, the vast expanse stretching out under a canopy of stars. For those lying awake, the sounds were a reminder of where they were—and why. Each noise carried a story, a fragment of a journey that had brought them to this place. The camp was a liminal space, a pause between past and future, and the night was its soundtrack. And yet, amidst the uncertainty, there was a strange kind of peace. The sounds of the camp were not just of struggle, but of survival, of hope. They were the sounds of life, continuing, despite everything. |
LISTENA literary journal inspiring engaging conversation and the sounds heard around the world when we actively LISTEN. ArchivesCategories |
Listen“Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.” |
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